Barre promethazine

Sure looks like Cinema 309 in Wilkes-Barre, Pa

Pussynapped! is fiction and Jeff and his mom are fictional characters. However Judge Ciavarella is real. What happens to Jeff in the story really did happen to young people put away by this Wilkes-Barre, Pennsylvania judge who accepted bribes to keep a private prison full. Many of these young people did not have legal representation. He was caught and really is in prison serving 28 years. Google him if you are interested.

This was a great story although the ending felt a little rushed since the rest of the story was so well fleshed out. As someone who had Guillaume barre little brother Miller fisher syndrome which took me 6 months to recover from I can say it is no joke. While I was in my 40s and had paralysis on one side the migraines double vision loss of balance as well as the residual nerve damage from it. You did a great job describing this. I was in the hospital for almost 2 months relearning to walk and what not. Thank you for doing this justice and doing a good job describing it for people who have never had it

This was a darn good read and got lots of stars from me. But I'm pretty sure the author was never around the backstage of a theater or spent much time around a school of dramatic arts. So just for the information of anyone else setting stories there:
The actor's room, the place that the actors and crew hang out, is the green room.
Plays don't generally have premiers, that is more a term for a motion picture. A play opens, and that happens on opening night.
A typical dance studio room, except maybe a VERY poor one in someone's basement, doesn't usually have a single mirror that can be moved around or easily covered. Typically most or all of one wall is a mirror, and there is a hand rail (the bar, or more exactly barre) running along it's length.
It isn't unusual in a college theater complex for there to be an old mattress in an out-of-the-way place, and for it to get quite a lot of use, and very little of that sleeping.

There’s a lot to like here, it’s one of the most interesting stories I’ve read as there’s a lot going on.
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Ruby’s a sensational character and every word she spills carries wicked intent. I thought the beginning was terrific as there was plenty of personality from the off, while it felt to me like Ruby had just the right aura for what was to come. After you’d set the scene, I could see myself sitting at a table outside that café, breaking my neck trying to catch a glimpse of the outrageously confident Ruby. Meanwhile, there’s a smoothness to the way you wrote the opening that heightened my anticipation.
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What I found unusual was the way that Ruby stood out. Clearly, you never employed an ensemble of characters, so Ruby had to do some heavy lifting to keep the reader engaged. But I felt like when they got to Ruby’s apartment, the emergence of her contemplative side, which culminated in talk of reflections and an impromptu dance, veered into the territory of a performance piece. It’s difficult because I normally adore that in a strong female character, I just think it was hard for Ruby and Adam to demonstrate chemistry when Ruby was on the verge of auditioning for a role in an off-Broadway production. I felt like Ruby controlled her interactions with a little too much theatricality.
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When you used the line “I was in the room, but as when she smoked, I wasn't there, she didn't need me.” – that encapsulated how I felt about Ruby and Adam. She became a performer and he wasn’t needed. It made me feel like the reader wasn’t needed here either as Ruby’s theatricality was creating a barrier around her that made it harder to connect with her.
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In saying that, this was really well written in places. When you wrote “There's something pure about the image of a girl at the barre, that flexibility and at the same time, focus.” – I thought that was splendid writing and there were other examples throughout that were equally impressive.
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However, your use of “cunt” started to become grating as you became more reliant on it towards the end. As for “She wore lacy white knickers that matched the bra” – any talk of “knickers” just aged Ruby by about 15 years in my mind, and you used that description twice in quick succession. You’d established Ruby as a goddess in my mind, so it’s reasonable to expect her to be presented accordingly.
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Towards the end, I felt you started to lose momentum. When you wrote “…the exquisite fuck of my brain fighting the simple animal crudity of my body.” – I sat back and shook my head as that was bad writing at an important moment in the story. Just looking at it now is enough to make me flinch. I also think you went overboard with the butter. When you wrote “A ceremony could not have been better arranged.” – Young people just use plugs, especially when the encounter is clearly premeditated like Ruby's. I also thought that we got a lot of description, but we didn’t get enough concerning Ruby’s figure, which ties into my concern about her wearing “knickers”. Ruby went from a younger goddess in my mind to a 49-year-old divorcée going through a crisis the further I read.
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I’d say the sex scene was good, but I felt myself getting a little bored by it, which I think was caused by pacing issues. When Ruby thanked God that Adam was a patient man, she should’ve extended that thanks to the reader as well. I’m a huge fan of the tease, but the sex itself was laborious at times, which made the physical pay-off more frustrating.
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When it comes to rating this, I didn’t find it obvious or easy. But it’s safe to say that the positives outweigh the negatives. I think the strengths of Ruby’s character elevate the overall quality and I’m certain that I’ll remember her a year from now. That’s not nothing and memorable characters are worth their weight in gold. I also thought there were some moments of brilliance here.
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74/100. ⭐⭐⭐⭐